Tag Archives: Fiction

Podcast

John Kessel, BAUM PLAN FOR FINANCIAL INDEPENDENCE

John Kessel
John Kessel

Host Francesca Rheannon speaks first with speculative fiction writer John Kessel, who makes thought experiments about real issues by placing them in imaginary contexts.

His latest collection, [amazon-product text=”THE BAUM PLAN FOR FINANCIAL INDEPENDENCE AND OTHER STORIES” type=”text”]193152050X[/amazon-product], brings fantasy, science fiction, and magical realism to bear on the relations between the sexes, the conundrums of time travel, the windfalls of fortune, terrorism, and democracy.

[amazon-product align=”right”]193152050X[/amazon-product]

Kessel is the author of numerous stories, novels, and a play. He’s a frequent contributor to the Magazine of Fantasy and Science Fiction and he won the Nebula Award for his novella, Another Orphan. “Stories for Men”, which appears in his latest collection, won the 2002 James Tiptree Jr. Award. Kessel teaches writing at North Carolina State University.

You can download a copy of the book from Small Beer Press here.

Elizabeth Strout
Elizabeth Strout

Also, we talk with Elizabeth Strout about her latest novel, OLIVE KITTREDGE (archived interview).

Listen to Strout read from the book here.

Podcast

New Fiction from Margot Livesy and Ellen Cooney

We talk with novelists Margot Livesey ( THE HOUSE ON FORTUNE STREET) and Ellen Cooney (Lambrusco).

Livesey’s stunning new novel is about love, loss and the ambiguities of existence. Told from the point of view of four narrators, it explores how they try to make sense of their world when their lives are upended by the unexpected—and how their human frailties lead them to make choices that they long regret. Continue reading

Podcast

Margot Livesey, HOUSE ON FORTUNE STREET

We talk with Margot Livesey about THE HOUSE ON FORTUNE STREET, her stunning new novel about love, loss and the ambiguities of existence. Told from the point of view of four narrators, it explores how they try to make sense of their world when their lives are upended by the unexpected–and how their human frailties lead them to make choices that they long regret. Along the way, the reader is challenged to examine his or her own sense of right and wrong — and the power of forgiveness.

Podcast

Louise Erdrich’s THE PLAGUE OF DOVES and more…

Louise Erdrich
Louise Erdrich

Louise Erdrich says she worked on her latest work of fiction, [amazon-product text=”A PLAGUE OF DOVES” type=”text”]0060515139[/amazon-product] for nineteen years before publication. It was worth the wait. This week Francesca talks with Louise Erdrich and journalist Jeremy Scahill about his book, [amazon-product text=”BLACKWATER: The Rise of the Worlds Most Powerful Mercenary Army” type=”text”]156858394X[/amazon-product]. Continue reading

Podcast

THE HAKAWATI and SO WRONG FOR SO LONG

[amazon-product align=”right”]0307386279[/amazon-product]

Rabih Alameddine
Rabih Alameddine

We talk with Lebanese writer Rabih Alameddine about his new novel, [amazon-product text=”THE HAKAWATI” type=”text”]0307386279[/amazon-product]. Framed around the story of a family in modern-day Lebanon, the novel weaves fiction, fable and epic into a wonderful tapestry.

And journalist and editor Greg Mitchell tells us about how the press and the punditocracy failed the public on Iraq. His book is [amazon-product text=”SO WRONG FOR SO LONG: How the Press, the Pundits and the President Failed on Iraq” type=”text”]1402756577[/amazon-product].

The audio for this episode is available upon request for a donation of $4.99 to Writers Voice. Contact writersvoice [at] wmua.org.

Podcast

OLIVE KITTREDGE and THE END OF THE JEWS

Adam Mansbach
Adam Mansbach
Elizabeth Strout
Elizabeth Strout

Francesca interviews novelist Elizabeth Strout about her Pulitzer Prize winning book, OLIVE KITTERIDGE, which uses a collection of short stories to create a novel about the inhabitants of a coastal town in Maine. And Adam Mansbach talks about his new novel, THE END OF JEWS.
Continue reading

Podcast

Kevin Patterson and John Hanson Mitchell

Kevin Patterson
Kevin Patterson

As a physician, Kevin Patterson treats Inuit communities of the Canadian Arctic. As a novelist, he explores the collision between the old and the new in that region.

[amazon-product align=”right”]0307278948[/amazon-product]

His debut novel [amazon-product text=”CONSUMPTION” type=”text”]0307278948[/amazon-product] richly details the life of the Inuit as they transition from traditional nomadic life to settlement in towns built for them by the Canadian government. It tells the story of one family across three generations as its members make this transition, the uneasy peace they make with modern society, and the connections and tensions between them and the Kablunuks— or whites — who come to work in the Arctic.

Patterson is also editor of a forthcoming book about his work with refugees in Afghanistan. His Mother Jones article about his work can be found here.

John Hanson Mitchell
John Hanson Mitchell

Also, John Hanson Mitchell tells us about his search to solve the mystery surrounding the African American servant of a famous 19th century ornithologist. It’s the subject of his 2005 book, [amazon-product text=”Looking for Mr. Gilbert: The Reimagined Life of an African American” type=”text”]1593760264[/amazon-product].

[amazon-product align=”right”]1593760264[/amazon-product]

When Mitchell found more than two thousand antique glass plate negatives in the attic of an old estate in Massachusetts, he thought at first they had been created by ornithologist William Brewster, a Boston Brahmin of the highest rank. But then, Mitchell began to have questions. They led him on a journey to uncover the history of the man who may very well have been the first major wildlife photographer, a little-known African American named Robert Alexander Gilbert.

Mitchell is editor of Sanctuary, the magazine of the Massachusetts Audubon Society .

Podcast

Novelist Geraldine Brooks and Poet Laureate Al Young

[amazon-product align=”right”]0143115006[/amazon-product]

Geraldine Brooks
Geraldine Brooks

Geraldine Brooks tells us about [amazon-product text=”PEOPLE OF THE BOOK” type=”text”]0143115006[/amazon-product], a novel based on the history of the Sarajevo Haggadah. This remarkable novel takes us through time and across Europe to uncover the story of a fourteenth century Jewish book that survived the exile, wanderings and persecution of its owners. One of the most valuable manuscripts in existence today, the Sarajevo Haggadah was rescued twice by its Bosnian Muslim curators — from the Nazis in 1944 and from Serbian shelling of Sarajevo in the early 1990’s. It now rests in the National Museum of Bosnia and Herzegovina in Sarajevo.

Al Young
Al Young

[amazon-product align=”left”]1402210647[/amazon-product]

Also, we talk with California Poet Laureate Al Young about his new book-and-cd set, [amazon-product text=”SOMETHING ABOUT THE BLUES: An Unlikely Collection of Poetry” type=”text”]1402210647[/amazon-product]. Young is a celebrated African-American poet, novelist, essayist and musician who connects his poetry with the vibrant music of the Blues. He writes: “Music — with which poetry remains eternally intimate — seems a dead ringer, as it were for life. And while each also seems invisible, I always catch myself asking: What is life but spirit; spirit-thought made hearable, seeable, smellable, touchable, and delectable?”.

Podcast

Russell Banks and Tahmima Anam

Russell Banks

Acclaimed novelist Russell Banks tells Writer’s Voice about his new novel, THE RESERVE. We also talk with Tahmima Anam about her terrific debut novel, A GOLDEN AGE.

Russell Banks

Russell Banks’s new novel THE RESERVE is “part love story, part murder mystery”. Taking place in 1936, not long before the World War II, the novel explores questions of class, politics, art, love, and madness. Set in an exclusive wilderness enclave held by families of New York’s highest society as a vacation playground, the novel’s action follows what happens when two intertwined couples violate social conventions and their own morals to follow the dictates of their hearts. Russell Banks is one of America’s best known novelists. He’s the author of many books, including Affliction, Cloudsplitter, and The Sweet Hereafter, which was made into a movie directed by Atom Egoyan. He’s a member of the American Academy of Arts and Letters, and his work has received numerous international prizes and awards. He lives in upstate New York.

Tahmima Anam

Tahmima Anam

When Tahmima Anam went back to her native Bangla Desh to do research for her doctoral thesis in anthroplogy, she gathered testimony from scores of survivors of Bangla Desh’s 1971 War of Independence from Pakistan. The conflict occurred four years before she was born, and she left the country at the age of two, living in Europe and America and eventually attending Mount Holyoke College right here in western Massachusetts. Her novel, A GOLDEN AGE, returns to Bangla Desh’s struggle to become independent to tell the story of one family: a mother and her two children, both on the brink of adulthood. Rehana Haque is drawn by her children into the struggle, partly to pay off a decade old-debt to them. A debt incurred, Rehana feels, when she had to give them up for several years after she was widowed. The novel is a sensitive foray into the bonds of family and patriotism, in the best sense of the word, and how they intersect.

Podcast

EVERY PAST THING and AMERICAN BLOOMSBURY

We talk with author Susan Cheever about AMERICAN BLOOMSBURY and Pamela Thompson tells us about her debut novel, EVERY PAST THING.

Today’s show begins in the early nineteenth century and ends in that century’s last year-November, 1899. We start our time travel with our first guest Susan Cheever. She takes us to Concord, MA where a “genius cluster” of great American writers gathered around Ralph Waldo Emerson. Her book is AMERICAN BLOOMSBURY: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller and Henry David Thoreau: Their Lives, Their Loves, Their Work. She says these writers, popularly known as “The Transcendentalists”, invented a new form of American literature that often came from the yearnings, erotic passions, and disappointments they so deeply felt. Cheever tells us about the ambivalent relationship between Emerson and Thoreau, how Nathanial Hawthorne turned his despair into THE SCARLET LETTER and why Louisa May Alcott began writing LITTLE WOMEN. The daughter of the American writer John Cheever, Susan Cheever is the also the author of the memoir AS GOOD AS I COULD BE, published in 2001, as well as numerous other books.

“Every past thing becomes strange.” That’s how the protagonist of Pamela Thompson’s debut novel EVERY PAST THING begins the journal she writes within the book. Mary Jane Elmer is a young woman in 1899 who’s come to New York from Shelburne, Massachusetts with her husband, the painter Edwin Romanzo Elmer. She and Edwin are still mourning the death of their young daughter, Effie, but Mary Jane’s thoughts are also taken up by her romantic longings for a young student with whom she had a brief encounter 10 years before. Thompson’s novel covers only the course of a week, but the boook’s depth and beautiful prose takes the reader on a far and satisfying journey. Pamela Thompson lives in western Massachusetts.

Podcast

EVERY PAST THING, by Pamela Thompson

EVERY PAST THING, by Pamela Thompson

(excerpt by permission of the author and publisher)

Publisher: Unbridled Books; 1 edition (September 29, 2007)

It isn’t like they say—whoever they be—about Death, or about Knowledge.

That is Edwin’s first thought, on his back, under the apple tree, looking up at the blue sky. The frightening, dear sky. If he is dead, then life has not been so unusual. Is not so strange? Is not so different? The sky, with wisps of clouds like the feathers poking through his pillowcases. These wisps, he sees first. These wisps, and then a spinning darkness, all this world a spinning darkness and the wisps flecks, dancing. He might have caught the branch. He should have been able to catch the branch. But he had not even tried. He had not thought it—necessary. He had leaned—far. He must have been holding to a thin branch overhead, and to the hand-saw. He must have leaned. He must have leaned—too far. He was confused. Up down and down up, and in that case what is gravity, or the distinction between one being and the next. It was as if he were apple tree, as if he grew out of the trunk, a branch from the trunk, which grew from the earth, so heading toward the earth no different from growing out of it. He must have—he opens his eyes again to the sky, the wisps—he must have been holding on to the branch he cut. He must have cut off his own support. He tries to lift his arms to see how he had held them in the air, the saw in his right hand, left hand choosing the branch to prune—but his arms are too heavy, the confusion of lifting and arranging them too great.

So much effort. And the world would not have cared a whit whether some hypothetical apples might one day next spring have had their start in pink-white buds in the space he had made for them in the upper reaches of the tree. He will not see the spring. And that, too, an inconsequence. That one apple falls or a man lives or dies. He in his orchard. Others—elsewhere. Elsewhere, where the river rushes toward the falls, and farther, in all the cities and places he has never been.

I am so small,” he says. “So small.”

His words, barely a whisper, do not ruffle the air, do not make any more dent in the landscape than the fallen branches. Tiny nubs of green that will not unfurl. He wants to laugh—to see things come to this. Trees, limbs, ground. That is—he feels laughter in him, but no sound comes.

He will stay on the ground. Unless Mary rescues him. But she will not notice his absence until dinner. No reason for it. And it will turn dark before then, so he’d better save breath enough to call out when she comes looking. By then he may not be—

The ground is so cold. His limbs start to shake. He must be alive. Death surely a more significant rupture. He lives—or he cannot explain the facts: the sky, the cold, his shivering. He laughs, but no sound comes. The sky floats above and he is pinned below, captive, a chattering form upon the earth. If he cannot get himself up, he will die here.

I will die here,” he tries aloud.

But his words do not rend the air. He knows that. Knows that this is the end, and is surprised to find that death is so funny. But a private joke. After all—this. What all foolishness comes to. A figure prone upon the earth. He might have left the last tree a bit shaggier than the others.

Yet why not die? He had not known before how easy it would be. He sees how she could have slipped from them so quietly. Though not like sleep. Not a closing like that, but—something else. His bones shake so hard he is—are—pieces. Pieces see through skin to separate bones, feel each distinct from every other, as if he have not sinew or muscle or flesh. He know then, has not broken the sticks and pegs that hold him together. Failure not mechanical. Something else. Dissolution of the spirit. Shattering of—self. He is not—what he had thought himself to be.

He draws a great gasp of air. Arms try again—lift. This arm, this hand with fingers, must have dropped the saw. Fingers bend and unbend: Try to hold. Roll bones to one side. Knees tuck. Gather self. Must gather self. All selves. Laughs again, but no sound comes. Miracle all along it had been. Miracle all along to have held himself in one body. Parts could so easily have gone off on their own, kept their own time. (Something multiplies deep inside him.) Grass blades poke eyes. Other parts, probably, but they do not report. Only eyes mind. Sharp. Strips of viridian too blue. Gold and pink if sun slant under trees. Sun slant and wrap him. Sun slant and wrap and turn him into the earth.

Podcast

Norman Solomon and Valerie Martin

Valerie Martin
Valerie Martin
Normon Solomon
Normon Solomon

We talk with veteran journalist and commentator Normon Solomon about his memoir, [amazon-product text=”Made Love, Got War: Close Encounters with America’s Warfare State” type=”text”]0977825345[/amazon-product].

Read an excerpt of his book here.

Also, we talk with novelist Valerie Martin about her wonderful new novel, [amazon-product text=”TRESPASS” type=”text”]1400095514[/amazon-product]. Some of Martin’s other novels include [amazon-product text=”The Confessions of Edward Day” type=”text”]0385525842[/amazon-product] (2009) and [amazon-product text=”Mary Reilly” type=”text”]0375725997[/amazon-product].

Podcast

Jewish Book Fair Authors

We talk about to two writers featured at the 2007 Springfield Jewish Book Fair: David M. Gross, author of FAST COMPANY: A Memoir of Life, Love, and Motorcycles in Italy and Alana Newhouse on A LIVING LENS: Photographs of Jewish Life from the Pages of the Forward.

Supported by a grant from the Jewish Arts & Culture Initiative of the Harold Grinspoon Foundation.